NEWS
[ Ελληνικά - (gr) ]
09/06/2017 - 10/06/2017
Programming & live sound mix for the performance :
"The Bridge on the Drina "
Directed by Nikita Milivojević
9 - 10 June 2017
21:00
Based on Ivo Andrić’s novel of the same name
Ivo Andrić’s novel The Bridge on the Drina is a landmark work of Serbian literature, on a par with Tolstoy’s War and Peace. Andrić is the most widely translated Serbian author and the only recipient of the Nobel Prize in Literature from former Yugoslavia, and this novel remains his best-known work. The story of a bridge, a fixed point of reference over the centuries while everything around it comes and goes, is brought to the stage by one of the foremost Serbian directors, Nikita Milivojević. A performance that is expected to move not only Greek and Serbian audiences, two countries with similar historical experiences, but also every individual regardless of nationality, insofar as the bridge constitutes a universal symbol of communication, creation, and survival.
CREDITS
Direction - Dramatization: Nikita Milivojević
Translation of stage adaptation: Ismini Radulović
Set - Costume design: Kenny MacLellan
Music: Dimitris Kamarotos
Choreography: Amalia Bennett
Lighting design: Nikos Vlasopoulos
Live sound mix: Costas Bokos
Assistant director: Ioanna Bitouni
Production manager: Manolis Sardis - PRO4
Cast: Sofia Kokkali, Thanos Tokakis, Michalis Titopoulos, Prometheus Aleifer, Kostas Koronaios.
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[ Ελληνικά - (gr) ]
07/06/2017 - 11/06/2017
Sound design for the performance :
""Hippolytus"by Euripides / The whole tragedy in a music for words"
Dimitris Kamarotos — Amalia Moutousi
ONASSIS CULTURAL CENTRE - ATHENS
(Parnassos Literary Society)
Karitsi sq 8, Athens
7 - 11 JUN 2017
21:00
Dimitris Kamarotos and Amalia Moutousi form a powerful duo, enter an historic Athens building, and immerse us in the tale of Phaedra and Hippolytus.
It's not a play and it's not a concert. What it is is a different way of experiencing the sights and sounds of ancient drama. A site-specific performance outside the OCC at the "Parnassus" in Karytsi Square. Dimitris Kamarotos, the distinguished composer and theatrical performer of sound and music, and Amalia Moutousi, uncontested star of the stage, have been working together closely for decades... but never quite like this.
Their new encounter will be in a staging of Euripides' Hippolytus. And just as Amalia Moutousi won't be playing just Phaedra but all the roles, so Dimitris Kamarotos will be doing more than simply performing the music. As actor and musician collaborate on equal terms, every character in Hippolytus, including the Chorus, will speak through them, recounting the deluge that carries them away as though it were the plot of a bedtime story. Yet this is a tale of intense emotions, beauty and moments of gruesome horror.
The music, which builds upon the internal rhythm of Euripides' verse, exists in parallel to it, coexisting with and sometimes questioning the spoken word. The staging allows characters and Chorus to alternate seamlessly and employs cutting-edge means to achieve a near-naturalistic result which mirrors the tragedy's original form as closely as it can with just one actor. Sonic masks of interwoven sound, new versifications and unexpected polyphonies emerge as actor and musician immerse us in a tragedy awash with carnal passion, madness, hatred and revenge.
CREDITS
Concept & Sound Dramaturgy: Dimitris Kamarotos
Performed by Amalia Moutousi (text), Dimitris Kamarotos (music)
Translation: Nikos Flessas
Dramaturgical Associate: Sylvia Liouliou
Stage space: Eva Manidaki
Costumes: Angelos Mentis
Lighting: Giannis Drakoularakos
Sound Design: Kostas Bokos
Assistant Set Designer: Filanthi Bougatsou
Production Manager: Rena Andreadaki
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[ Ελληνικά - (gr) ]
FROM 12/06/2017
Sound synthesis & processing for the Multimedia Application :
"Soundscapes Landscapes / Rhizome II / Keramikos/Metaxourgeio "
Medea Electronique
ONASSIS CULTURAL CENTRE - ATHENS
From 12/6/2017
free admission
The soundwalks are available in Greek and in English
An audio-visual and highly interactive walk at the neighbourhoods of Kerameikos/Metaxourgeio to discover parts of the city you were unaware of.
The Onassis Cultural Centre-Athens and Soundscapes Landscapes create a nexus of stories in the city. Artists who work in sound and images explore a new form of digital art-mapping in downtown Athens neighbourhoods and invite us on a real-time stroll through Gazi, Kerameikos and Metaxourgeio.
Kerameikos, along with Metaxourgeio, has a special intensity. It has been a living, meaningful space since antiquity that seems to weave and encapsulate the entire course of Athens through time: the cemetery, the train lines, the factory at Gazi, Kerameikos, Iera Odos and its night clubs, the edges of Metaxourgeio, multiculturalism, the development and gentrification of the area, immigrants, artists, night venues and clubs, alternative cultural spaces, tourists, and the Acropolis’ rock overlooking the area.
Cosmopolitanism and localism, national and European identity, pockets of resistance, modern Greeks and immigrants, tradition and modernity, an industrial area, and a working-class neighbourhood.
The project Soundscapes Landscapes / Rhizome ΙΙ reveals the stories that take place on the city's surface as well as those that are hidden away or underground or in its past. Put in your earphones, download the app onto your smartphone or tablet, and navigate the city.
A project at the intersection of art, technology, audio research and field recording which also provides a gateway into the anthropology and sociology of the city through its interviews and real-life stories, soundscapes, compositions and poetry.
CREDITS
A project by Medea Electronique, 2016-2017
Production: Onassis Cultural Centre-Athens
App by ZKM
The app is developed in partnership with the Onassis Cultural Centre and Medea Electronique as part of the Interfaces Project.
Co-funded by the Creative Europe Programme of the European Union.
Τhe following academics’ and researchers’ scientific contribution has been important: Myrto Dimitropoulou (Historian, Researcher), Giannis Kozatsas (Dr. οf Philosophy, Archaeologist), Eugenia Bournova (Historian, Associate Professor, University of Athens), Elena Patatouka (Architect, PhD Candidate), Haris Tsavdaroglou (Dr. Urban Planner), Menelaos Charalampidis (Historian, Dr. οf Modern Greek History)
We also thank the poets who gave us permission to both use and record poems of theirs:
Zissis Ainalis, Kostis Gardikis, Thomas Kiaos, Yiannis Stigas
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[ Ελληνικά - (gr) ]
24/05/2017 - 11/06/2017
Sound processing, editing, mastering for the performance :
"The Great Tamer "
by Dimitris Papaioannou
ONASSIS CULTURAL CENTRE - ATHENS
(Main Stage)
24 MAY - 11 JUNE 2017
20:30
Involving 10 performers on stage, "The Great Tamer" takes shape around the notion that human life can be seen as a journey of discovery, an exploration for hidden treasure, an inner archaeological excavation for meaning.
Dimitris Papaioannou’s new project is under construction. Involving 10 performers on stage, the work takes shape around the notion that human life can be seen as a journey of discovery, an exploration for hidden treasure, an inner archaeological excavation for meaning.
In his thirty years of work Papaioannou has striven to create a universe on stage that could be described as a dreamlike absurd circus. Human bodies become battlegrounds, interacting with raw materials, fusing into hybrids, giving rise to optical illusions. His rootedness in the fine arts gives his performances a strong visual feel, as he juggles teasingly with art-historical references, various practices of expression and performing, and ideas about our origins. Dimitris Papaioannou aims at an utter simplicity of appearance that is far from simple to achieve. His intention is to shed light on the sacred in the mundane.
A hero/legend and a play/enigma that poses big questions about human nature and the nature of desire, fear and freedom. “Don Juan is a landmark character on the map of human desires and fears; as real as an after-image, as imaginary as a poem”, Marmarinos notes. “A notional, fictitious rebellion against everything that masquerades as stability, packed with victims both real and imaginary”.
CREDITS
Conceived, Visualized & Directed by Dimitris Papaioannou
With: Pavlina Andriopoulou, Costas Chrysafidis, Ektor Liatsos, Ioannis Michos, Evangelia Randou, Kalliopi Simou, Drossos Skotis, Christos Strinopoulos, Yorgos Tsiantoulas, Alex Vangelis
Set Design & Art Direction in collaboration with: Tina Tzoka
Artistic Collaborator for Costumes: Aggelos Mendis
Lighting Design in collaboration with: Evina Vassilakopoulou
Artistic Collaborator for Sound: Giorgos Poulios
Sound Design and Operation: Kostas Michopoulos
Music: Johann Strauss II, An der schönen blauen Donau, op. 314
Music Adaptation: Stephanos Droussiotis
Sculpture Design: Nectarios Dionysatos
Costumes & Props Painting: Maria Ilia
Creative & Executive Producer and Assistant Director: Tina Papanikolaou
Assistant Director: Stephanos Droussiotis
Rehearsals Director: Pavlina Andriopoulou
Technical Director: Manolis Vitsaxakis
Stage Manager: Dinos Nikolaou
Assistant Sound Engineer: Nikos Kollias
Assistant to the Set Designer & Set Painter: Mary Antοnopoulou
Assistants to the Sculptor: Maria Papaioannou, Konstantinos Kotsis
Production Assistant: Tzela Christopoulou
Tour Manager & International Relations: Julian Mommert
Executive Production Assistant: Kali Kavvatha
Set Construction: Lazaridis Scenic Studios
Costumes Construction: Hasem Exsteshamnia, Efi Karantasiou, Litsa Micheli, Litsa Moumouri, Irina Propeygolova
Hairstyles: Lemon Poppy Seed
Executive Producer: 2WORKS
With the support of: ALPHA BANK
Air Carrier Sponsor: AEGEAN Airlines
Produced by Onassis Cultural Centre - Athens (Greece)
Co-produced by: CULTURESCAPES Greece 2017 (Switzerland), Dansens Hus Sweden (Sweden), EdM Productions, Festival d'Avignon (France), Fondazione Campania dei Festival – Napoli Teatro Festival Italia (Italy), Les Théâtres de la Ville de Luxembourg (Luxembourg), National Performing Arts Center – National Theater & Concert Hall | NPAC-NTCH (Taiwan), Seoul Performing Arts Festival | SPAF (Korea), Théâtre de la Ville – Paris / La Villette – Paris (France)
A great thanks to: Taso Papaioannou, Kyriakos Karseras, Dina Tsichli, Christos Perzos, Kostas Bokos (Studio 19), Nikos Makris, Kostas Charalampidis, Miltos Logiadis, Sophia Katsoulieri, Nikos Dragonas, Christos Xirafakis, Tony Testa, Vicky Kaminari, Katerina Papaioannou (KIWI TRAVEL EU), Maria Dourou, Euripides Laskaridis, Zacharias Stamoulos, Michalis Skitsas, Nasia Pletsi, Dimitris Sotiropoulos, Kostas Kakoulidis, Lefteris Karabilas, Pantelis Iliades, Asim Baig, Claire Verlet, Vicky Maragkopoulou, Giannis Sotiriou, Voula Michail, Alexandros Zafeiriou, Giorgos Koumentakis
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[ Ελληνικά - (gr) ]
18/05/2017 - 11/06/2017
Sound design for the performance :
"Tyrannosauruses Rex "
Text - Direction : Lena Kitsipoulou
(Rex Theater - Katina Paxinou Stage - Experimental Stage)
18 MAY - 11 JUNE 2017
20:30
We are the Tyrannosauruses at the Rex Theatre on Panepistimiou Street, a group of people, a society of monsters, trying to survive with tiny atrophied hands that are too small to hug one another and are only good for pressing the buttons on remote controls or mobile phones, sending messages that avoid the head-on collision with reality.
This production is about celebrating our tremendous need for communication through the path of our incapacity for it.So it will be more of the same.A workaday story of endangered humanity.The human monster can fit into a small flat, even if he has to stick his tail out of the door>and poke his enormous head through the window to get a breath of fresh air.
They say that the Tyrannosaurus was a scavenger.And we too are picking over the bones of an already dead past while yearning for a probably dead future, terrifying those whom we approach.
CREDITS
Text: Lena Kitsopoulou
Direction: Lena Kitsopoulou
Sets - Costumes: Ellie Papageorgakopoulou
Lighting: Nikos Vlassopoulos
Sound design: Costas Bokos
Assistant director: Marilena Moshou
Assistant Set & costume designer: Dimitra Koutsogeorga
Assistant Set & costume designer: Evgenia Bourda
Hair & wig design: Chronis Tzimos
Cast
Georgina Daliani
Giorgos Kissandrakis
Lena Kitsopoulou
Emilhy Koliandri
Giannis Kotsifas
Ioanna Mavrea
Marios Panagiotou
Danai Saridaki
Vasilis Safos
Nikoleta Grimeri
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[ Ελληνικά - (gr) ]
03/02/2017 - 26/02/2017
Multimedia design, programming, sound design & live multimedia mix for the performance :
"Joan of Arc "
Directed by Violet Louise
MICHAEL CACOYANNIS FOUNDATION - ATHENS
(Black Box)
03 - 26 February 2017
21:00
Violet Louise and her creative group revisit the trial of Joan of Arc and, using music, sound and visuals, create a modern version of the story of the young peasant girl from Domrémy who saved France from the British invasion during the early 15th century.
Who was Joan of Arc after all? A Witch or a Saint? A creature blessed with unusual skills or the scapegoat for a system which betrayed her once she had fulfilled her purpose? Was she a dreamer or an ambitious intelligent woman who knew that in order for history to be written she must involve herself in the world of men rather than domestic duties.
Joan of Arc represents the new force colliding with the old but still powerful institutions such as the Catholic Church, the Inquisition, and the Feudal System. This is why her obliteration from the system was unavoidable. Her prosecutors were not any more or less ethical or scheming than the next person. They were simply defending the powers that be. It was the historical circumstances which helped Joan to realize her vision. The idea was born of a nation which would instigate the passing from the Medieval Period into a new world.
It is this idea which was her most effective weapon in politics and on the battle field. When both sides believe in the same God (English and French during the Hundred Years’ War), we understand what is means to raise the pennon and ask that the opponent surrender as it is God’s wish.
Joan was the kind of person who did not want to belong to any group; the kind of person who walks alone and with such force that in the end they burn themselves out, literally and metaphorically. The path of such people is preordained. If Joan of Arc was to return to this world once again, the exact same thing would happen - as Bernard Shaw wrote in his own theatrical version of the tale – she would be burned at the stake.
The world is not ready to accept saints or ideologists. It is only these people, though, who have the power to change the flow of history. Let us consider which kind of imagery the word Medieval brings to each of us. And if the cruelty of that time labels it (wrongly, as proven) a dark period for humanity, what can be said about the “refined and civilized” 21st century? Maybe that it is an even more bloodthirsty system which drowns any type of human freedom and wipes out anyone or anything which is considered a threat to social peace and order?
CREDITS
Performing: Panayotis Garbis, Louisa Kostoula
Direction - music - text adaptation : Violet Louise
Lights design : Apostolis kotsianikoulis
Visual concept : Violet Louise
Video synthesis and video design: Vasilis Kountouris( studio19st)
Τeaser & camera shooting : Blaec Cinematography
Τrailer : Nikos Levantis
Show object sets: Mariana-Tzizlaki Kotsanou
The group: Panayotis Garbis, Nikos Levantis, Lilian Xidia, Louisa Costoula, Vasilis Koundouris, Costas Bokos, Thomas Economakos, Makis Faros, Marianna Tzizlaki-Kotsanou, Aris Pavlidis.
Many thanks to: Giannis Mavritsakis & Elena Mantidi
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[ Ελληνικά - (gr) ]
25/01/2017 - 19/02/2017
Multimedia design, programming, sound design & live sound mix for the performance :
"Don Juan "
Directed by Michael Marmarinos
ONASSIS CULTURAL CENTRE - ATHENS
(Main Stage)
25 JANUARY - 19 February 2017
20:30
The legend of Don Juan revisited in a production that takes Molière’s play as its core and adds fragments from other versions of the tale.
Molière’s Don Juan, a masterpiece of the classical repertoire but also a work that stirred up more controversy in its time than any other, staged in a contemporary version by Michael Marmarinos which integrates fragments from other Don Juans and exists in the grey zone between two idioms: the cinematic and the theatrical.
Don Juan, the eternal heart-breaker who gives his passions free rein, the lover driven by his relentless desire to sample life’s every joy, the sceptic who engages unhesitatingly with the metaphysical, has always enraged conservative societies by calling their norms into question, shining a spotlight on their hypocrisy, and delighting in breaking their taboos. Don Juan exposes his enemies but also himself with his irresistible charm, his aura of limitless freedom and his acid wit.
A hero/legend and a play/enigma that poses big questions about human nature and the nature of desire, fear and freedom. “Don Juan is a landmark character on the map of human desires and fears; as real as an after-image, as imaginary as a poem”, Marmarinos notes. “A notional, fictitious rebellion against everything that masquerades as stability, packed with victims both real and imaginary”.
At weekends 4-5, 11-12 and 18-19 February 2017 with English surtitles (Surtitles translation: Memi Katsoni).
CREDITS
Translation of Molière’s Don Juan: Dimitris Dimitriadis
Direction: Michael Marmarinos
Dramaturgy: Michael Marmarinos, Eri Kyrgia
Music - Reworking of Mozart's Don Giovanni: Dimitris Kamarotos
Space: Kenny McLellan
Costumes: Eva Nathena
Lighting: Eleftheria Deko
Movement: Tasos Karachalios
Sound design: Kostas Bokos
Live sound mix: Kostas Bokos
Video Designer: Vasilis Kountouris
Video-Editing: Constantinos Arvanitakis
Photographer-Women's Video: Efi Gousi
Assistant Directors: Aspasia-Maria Alexiou, Ioanna Bitouni
Costume Design Assistant: Evelina Darzenta
Assistant set designer: Anna Sapounaki
Make up: Katerina Michaloutsou
Wigs: Sotiris Paterakis
Special constructions: Dimitra Kaisari
Set building: Stelios Lampadarios
Sewing: Vestiario
Production Manager: Rena Andreadaki
Cast (in order of appearance):
Giannos Perlegas (Sganarelle)
Haris Frangoulis (Don Juan)
Elena Mavridou (Donna Elvira)
Giannis Vogiatzis (Dom Carlos)
Evangelia Karakatsani (Charlotte)
Tasos Karachalios (Pierrot)
Efi Gousi (Mathurine)
Adrian Frieling (Dom Louis)
Denis Makris (Francisque, a poor man)
Ilya Algaer (Dom Alonzo)
Chorus
Women's Choir
Soprano: Myrsini Margariti
Accordion: Stelios Katsatsidis
Production: Onassis Cultural Centre-Athens
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[ Ελληνικά - (gr) ]
BLACK BOXES ON TOUR : FRANCE 11/01/2017 - 29/01/2017 AUSTRIA 08/09/2016 - 26/10/2016
Multimedia design, programming & sound design for the multimedia installation :
"It's Time To Open The Black Boxes! "
a project by Danae Stratou
La Gaîté lyrique - Paris
(France)
11 - 29 January 2017
Exhibition, Lanceurs D'Alert.
Danae Stratou participation with the project:
It’s Time to Open the Black Boxes!.
Curator: Marie Lechner. La Gaite Lyrique, Paris, France, (2017).
Premiered at Zoumboulakis Galleries, Athens, Greece (2012)
It’s time to open the Black Boxes! is a participatory art project initiated by artist Danae Stratou. In these times of multiple crises shaking the world to its core, it is easy to fall into a fear-induced state of paralysis. This artistic project is a reaction to that perspective. Danae Stratou invites you to participate actively in the project by suggesting a word.
Installation description
The installation comprises 100 black boxes geometrically positioned on the floor. *The boxes were custom made out of thick black aluminium sheet metal. The boxes’ lids are open at an angle. Inside each box a black screen is positioned at a 450 degree angle in relation to the floor. The boxes are surfaced with translucent mirrors, thus creating the illusion that they are filled to the rim with a liquid substance and that the screens within them are submerged in polluted water akin to an oil slick.
Upon entering the exhibition space the viewer is confronted by a mixture of sounds such as beeps, heart beats, explosions and flat-lines. As one approaches and walks through the installation it becomes apparent that the screens inside the boxes are displaying words and numbers. Each word appears for a few seconds before being replaced by either a countdown or a count-up (depending on the word). As the numbers race (down toward zero or up to a specially chosen limit), their pace, style and accompanying sounds resemble a ticking bomb. When the countdown, or count-up, reaches its climax, each box emits the sound of either an explosion or a flat-line. These sounds are designed so as to intensify the sensation of tension, crisis, and alarm.
BLACK BOXES CREDITS
Project Collaborators:
Research & Catalogue Text: Yanis Varoufakis
Catalogue Text: Sozita Goudouna
Video Design: Danae Stratou & Vasilis Kountouris (Studio19st)
Sound Synthesis: Costas Bokos & Vasilis Kountouris (Studio19st)
Sound mixing & mastering: Costas Bokos (Studio19st)
Sound Design: Danae Stratou & Costas Bokos (Studio19st)
Audio & Video Post Production : Studio19st
Aluminum boxes manufacturing: ELVAL S.A. Partheniou SA, Mevaco SA
Research consultants: John Bennett, Maria Papanikolaou
France | Paris :
Chargée de production : Camille Dumas
Régisseur général des expositions : Vincent Lecerf
Assistante de production : Ana Gouzenne
Vienna - Austria
Museum Krems - Krems
(Austria)
08/09/2016 - 26/10/2016
Organised in the context of Globart Academy 2016,
Krems, Austria, (2016).
Curator: Heidmarie Dobner. Museumkrems.
Europa erlebt zurzeit eine politische Krise. Es ist allerdings nicht die Krise, vor der uns populistische Parlamentarier und demokratiefeindliche Demagogen warnen wollen. Krisenhaft ist vielmehr, dass sich die Angst schürenden und hetzenden Stimmen Gehör verschaffen. Krisenhaft ist, dass wir in die Falle eines engherzigen Reaktionismus tappen, der einfache Lösungen verspricht aber leider nur zu einer Verschärfung der Krise beiträgt. In Österreich stehen wir am 22. Mai vor einer Wahl, die die Stimmung maßgeblich in die eine oder andere Richtung lenken kann. Eine Wahl, die parlamentarisch eher Symbolcharakter hat, aber zivilgesellschaftlich den entscheidenden Impuls geben kann, damit wir uns als Gemeinschaft unserer Verantwortung in der Welt stellen oder nicht.
Bis dahin und über die Präsidentschaftswahl hinaus, unabhängig von ihrem Ausgang, müssen wir dieses Problem in die Öffentlichkeit tragen und darüber diskutieren. Die Installationskünstlerin Danae Stratou wagt in ihrer aktuellen Kunstinstallation „ It's Time to Open the Black Boxes “ diesen Versuch. Was beängstigt oder bedroht mich am meisten oder was muss am dringendsten bewahrt werden? Diese Frage stellt sie mit symmetrischer Dringlichkeit buchstäblich in den Raum. Dazu braucht es viele Personen, die sich an der Installation beteiligen, denn Stratous Werk ist keineswegs abstrakt sondern eine lebendige Reflektion des gesellschaftlichen Zeitgeistes.
Black Boxes_ The digital version from Vital Space Projects on Vimeo.
BLACK BOXES CREDITS
Project Collaborators:
Research & Catalogue Text: Yanis Varoufakis
Catalogue Text: Sozita Goudouna
Video Design: Danae Stratou & Vasilis Kountouris (Studio19st)
Sound Synthesis: Costas Bokos & Vasilis Kountouris (Studio19st)
Sound mixing & mastering: Costas Bokos (Studio19st)
Sound Design: Danae Stratou & Costas Bokos (Studio19st)
Audio & Video Post Production : Studio19st
Aluminum boxes manufacturing: ELVAL S.A. Partheniou SA, Mevaco SA
Research consultants: John Bennett, Maria Papanikolaou
Austria | Vienna :
Secretary General : Mag. Pippa Belcredi
Organisation/ Project : Mag. Veronika Grubmann
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[ Ελληνικά - (gr) ]
20/04/2016 | 22/05/2016 - 23/05/2016
Multimedia design, programming, sound design & live sound mix for the performance :
"TROJAN WOMEN, PETRIFIED " - of Euripides
Directed by Violet Louise
MICHAEL CACOYANNIS FOUNDATION - ATHENS
(Hall: Theatre)
22 - 23 May 2016
20:30
Premiered at Archaeological Museum of Olympia (pediment hall),
within the framework of events for the Olympic Torch Lighting Ceremony
[ Wednesday, April 20, 2016 ]
An audiovisual on-stage narration based upon Euripides. The Trojan Women translated by Michael Cacoyannis. Direction-music: Louisa Kostoula (Violet Louise) Hecuba: Aglaia Pappa
The original "Trojan Women" project, written in 415 BC during the Peloponnesian War,it is often considered a commentary on the capture of the Aegean island of Melos and the subsequent slaughter and subjugation of its populace by the Athenians earlier that year. Euripides's play follows the fates of the women of Troy after their city has been sacked, their husbands killed, and as their remaining families are about to be taken away as slaves.
"Trojan Women" is best viewed as a war play rather than a tragedy. The play, essentially a lament for Troy and those who fell with it, presents the women as they are sent to their fates.The laments of these women for their fallen city, their deceased loved ones, and their dark futures can certainly provoke an emotional response, but the intention of the play is not to inspire pity and fear but to question the events of war.
The performance under the title "Trojan Women" is a multimedia narration of the greek playwright Euripides original tragedy Troades, seen through the unique translation of Michael Cacoyannis .This performance is based on sound, multimedia and three performers.
The composition and implementation are based upon a special sound design (use of quadraphonics, a zone of four speakers which are placed amongst the audience), and three actors. The visual material used includes specially processed shots of natural landscapes, images which float between the realistic and the imaginary which heighten the feelings of loss of space and time, the memories of the women who were driven down the road of slavery.
Credits :
Direction, music, audio-engineering: Louisa Kostoula (Violet Louise)
Visual synthesis: Vasilis Kountouris (Studio 19)
Sound design: Costas Bokos (Studio 19)
Creative team for visual material: Nikos Levantis, Louisa Kostoula, Vasilis Kountouris
Costumes: Lilian Xidia
Assistant Director: Elina Mantidi
•
Performing: Aglaia Pappa, Panayotis Garbis, Louisa Kostoula
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19/02/2016 - 19/04/2016
Sound design & multimedia programming for the performance :
Romeo & Juliet - William Shakespeare
Directed by Konstantinos Rigos
19 / 2 - 19 / 4 2016 at "Municipal Theatre of Piraeus"
Wednesday and Sunday : 19:00
Thursday and Friday : 20:30
Saturday : 21:00
Somewhere , in a strange country, two Juliets, seven Romeos , a priest , a soprano , a mezzo soprano and 34 young actors , fall in love , sing, dance , wrestle, collide, passionate , looking for life ...
I never saw the love of Romeo and Juliet as a romantic story , but as an act of " violence against violence of power ."
Konstantinos Rigos
Credits :
Translation: Dimitrios Vikelas
Director - Choreographer - Stage Design : Konstantinos Rigos
Dramaturgy : Eri Kirgia
Fellow designer : Mary Tsagari
Costumes: Yorghos Segredakis
Lighting: Christos Tsongas
Sound design, video & multimedia programming: Kostas Bokos , Vasilis Kountouris (Studio 19st)
Assistant Director: Elena Skoula, Angelos Panagopoulos
Assistant Choreographer : Markella Manoliadi
Participate in alphabetical order:
Achtar Alexandros Epithymiadi Danae , Karaoulis Yiannis , Karachanidis Anastasios , Katsis Yorghos, Panagiotis Bratakos , Paitazoglou Kitty , Plemmenos Constantinos, Stamopoulos Antonis .
Father Lawrence : Ieronimos Kaletsanos, Nanny : Artemis Bogri ( mezzo soprano ) / Leto Messini ( soprano ) production manager , assistant director Angelos Panagopoulos.
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24 /02/2015
Sound design for the performance :
The Threepenny Opera - A play by Bertolt Brecht - Music by Kurt Weill
Directed by Yiannis Houvardas
«The Threepenny Opera», the masterful work of Bertolt Brecht - Kurt Weill presented in "Pallas Theatre" ATHENS on February 24 in translation by Yorghos Depastas .
Credits :
Translation: Yorghos Depastas
Directed by: Yiannis Chouvardas
Show Sets: Eva Manidaki
Costumes: Ioanna Tsami
Orchestration - conducting: Thodoris Oikonomou
Video: Dimosthenis Grivas
Lighting: Lefteris Pavlopoulos
Voice teaching: Mihalis Papapetros
Choreography: Amalia Bennet
First Assistant Director: Natasha Triantafylli
Second Assistant Director: Alexandros Vamvoukas, Joanna Bitouni
Sound design: Costas Bokos (studio19st)
Assistant Costume Designer: Vasiliki Souri
A 'Assistant Set Designer: Thalia Melissa - B' Assistant Set Designer: Ellie Spania
PROTAGONISTS REPRESENTATION :
Makchith : Christos Loulis, Lady Pitsam : Karyofyllia Karampeti, Lord Pitsam : Angelos Papadimitriou, Jenny : Lydia Photopoulou, Narrator : Nikos Karathanos, Polly : Nadia Kontogeorgi, Lucy : Kika Georgiou
OTHER ACTORS :
Antinoos Albanis, Michalis Afolagian, Babis Galiatsatos , Eliza Gerontaki , Effie Gousi, Marianna Kavallieratou, Vassilis Koukalanis , Eleni Boukli , Vassilis Milonas, Nestor Kopsidas, Maria Nika, Yorghos Tzavaras
MUSICIANS :
Piano : Thodoris Kotepanos, Percussion : Marinos Tranoudakis, Contrabass : Harris Mermygas, Bandoneon Kostas Raptis, Saxophone alto - clarinet : Spyros Nikas, Bassoon : Vassilis Priovolos, Guitars - banjo : Alexandros Paparizos, Trumpet : Dionysis Agalianos, Trumpet : Tasos Vitsentzatos, Trombone : Panagiotis Zafiropoulos, Saxophone soprano : Dimitris Chountis, tenor saxophone - flute : Tasos Photios.
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03/12/2015
Sound Mix for the movie :
Ouzeri Tsitsanis - Manousos Manousakis
Synopsis:
During World War II in Greece, under the submission of Germans, one Christian, Giorgos, falls in love with a Jewish, Estrea, something completely forbidden. Can they and their families overcome all the obstacles, along with racial discriminations and hardship? The story mainly takes place in an ouzeria, in which Tsitsanis works, one of the greatest Greek composer, librettist and singer in the 20th century.
The main theme of the film is the Holocaust of the vibrant, 500-year old Jewish community of Thessaloniki, during the brutal German occupation of Greece. In the Spring of 1943, they were betrayed by their complacent community leadership, and deported, non-resisting, to their doom in Poland. Two plot lines run parallel and intersect with this theme: A doomed love story and the early years of famous Rembetico music composer Vasilis Tsitsanis. In the small tavern where Tsitsanis' company performs, intermingle German officers, Greek collaborators, black marketeers, and undercover Resistance fighters. Young carpenter Yorgos, works there in the evenings. Yorgos is involved in the nascent Greek Resistance, as the operator of a radio transmitter. When Jewish girl Estrea is assigned to be his assistant, a passionate, forlorn love blooms.
Cast:
Andreas Konstantinou, Gerasimos Skiadaressis,
Yannis Stankoglou, Angelo Poulis, Lakis Komninos, Haris Fragoulis, Christina Hilla Fameli, Maria Kavoukidou, Alberto Eskenazy, Yannis Aivazis, Mihalis Aerakis, Vasiliki Troufakou, Argyris Sazaklis, Abe Cohen, Nikos Ioannidis
Directed by : Manousos Manousakis
Screen Play : Vasilis Spiliopoulos, Ada Gourbali, Manousos Manousakis,
Based on the book of Giorgios Skabardonis
Producer : Maria Manousaki
Production Design: Giorgos Papadakis
Edited by : Lambis Haralambidis
Cinematography by : Kostas Gikas
Music by : Themis Karamouratidis
Production Design : Antonis Halkias
Costumes : Anna Mahairianaki
Visual effects supervisor : Antonis Nikolaou.
Music Mixer : Tasos Bakatsielas
Dimitris Athanasopoulos...sound recordist
Costas Bokos (studio19st)...sound mixer
Aris Galanos...dialogue editor
Manolis Manousakis...sound designer (sound designer)
Alyssa Moxley...foley artist
Panagiotis Tsagarakis...foley artist
Distribution : Feelgood
Production: Telekinisis Α.Ε.
CoProduction : OTE TV, SAMBY MIONI
With the support : TOPCUT MODIANO, Greek Film Center
Language : Greek
DURATION : 116'
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07 - 08 /11/2015
Sound Design, Sound Mix, Color Correction & DIgital Mastering (DCP) for :
The Cypress Deep Down - A film by Nikos Kornilios
"The Cypress Deep Down" Suturday 7 and Sunday 8 of November at International Thessaloniki Film Festival 2015.
Premier Suturday 7/11 at 20:00.
Cinema Hall : Τania Marketaki
1/12/2015 : Nikos Kornilios Presents "The Cypress Deep Down" under the competition section of the 28th Panorama of European Cinema. Tainiothiki at : 20:00.
"The Cypress Deep Down" at the Poetry Film Festival ( OSLO ) on February 4-7 2016
"Tucked in your life learns details / from your past from your body / from your daily habits / Life without this presence / no longer makes sense - and suddenly / leaving and life is meaningless ....
Cast
Artemis Ioannou, Melissa Kotsaki, Thodoris Matinopoulos, Giorgos Bakalos, Dimitra Barla, Dimitris Stamatelopoulos ,Spiros Tsiknaw, ΠPinelope Flouri
Directed By : NIKOS KORNILIOS
Scenario : NIKOS KORNILIOS
Production : NIKOS KORNILIOS
Edited By : EYGENIA PAPAGEORGIOU
Graphics / Titles: ALIKI SOUMA
Sound Processing & mixing : COSTAS BOKOS / STUDIO 19
Colour Correction - processing : CLAUDIO BOLIVAR, VASILIS KOUNTOURIS / STUDIO 19
DIGITAL MASTERING (DCP), VASILIS KOUNTOURIS / STUDIO 19
DURATION : 75 '
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06/10/2015 - 31/10/2015
Sound Design for the Performance :
First performance: 06/10/2015
Last performance: 31/010/2015
PICCOLO Teatro di Milano - Teatro d' Europa
A four week run at the Strehler, on the occasion of Expo 2015 for Odyssey, a version in modern Greek of Homer’s poem directed by Robert Wilson from the adaptation by the English poet Simon Armitage.
On stage 17 of the best artists from contemporary Greek theatre.
The play debuted in Athens for four months in 2012, the year in the Greek and European crisis, and in April 2013 played to full houses at the Piccolo. Its return to Milan coincides with a period of new questions and new considerations – both economical and non – on the future of Europe.
Wilson establishes original links between the ancient and the modern, putting a new spin on the eternal theme of the journey, and the return.
Duration: 2 hours an 45 minutes
A joint production with National Theatre of Greece
Concept, Direction, Set and Lighting concept Robert Wilson
Piccolo Teatro Strehler
from 6 to 31 October 2015
Odyssey
project, direction, sets and lighting by Robert Wilson
music by Thodoris Economou
script by Simon Armitage, from Homer
dramaturg Wolfgang Wiens
co-director Tilman Hecker
costumes by Yashi
set collaborator Stephanie Engeln
lighting collaborator Scott Bolman
audio by Studio 19 - Kostas Bokos, Vassilis Kountouris
musical supervision by Hal Willner
greek translation – dramaturgy collaborator Yorgos Depastas
sets, props and costumes created by the laboratories of the Piccolo Teatro
an international Piccolo Teatro di Milano - Teatro d’Europa and National Theatre of Greece, Athens coproduction
We would like to thank for their support in the “progetto Odyssey” Rancilio
in modern Greek with Italian and English surtitles
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Summer / 2015
Sound design & Live Sound Mix for the Theatre Performance:
ΝΟH - Nekyia
Michael Marmarinos - Rokuro Gensho Umewaka
Ancient Theatre of Epidaurus [ 24-25 July 2015 ] - 21:00
“From now on remember that the dead cast no shadow, nor do they open and close their eyes” - Plutarch
Michael Marmarinos stages Book 11 from Homer’s The Odyssey and Gensho Umewaka transforms
Odysseus’ descent into Hades in the manner of Noh theatre. The metaphysical poetry and austere minimalism of the theatrical language of Japan meet the epic poetry of Homer in a joint descent into the world of the dead. The elusiveness of the “other” world acquires tragic substance at the ancient theatre of Epidaurus in a performance under the aegis of the Greek Festival, in which the question of life after death becomes a crowning theatrical event.
Credits :
Japanese Texts : Kenichi Kasai
Translation : D.N. Maronitis
Direction – Dramaturgical Elaboration : Michael Marmarinos in collaboration with Rokuro Gensho Umewaka
Sets : Eva Manidaki
Lightning : Eleftheria Deco
Sound design : Costas Bokos - Studio 19
Production Manager : Rena Andreadaki
Surtitles : Panagiotis Evaggelidis
Stage Manager : Masaharu Tabikawa
Set Designer : Assistants Thalia Melissa, Mirto Megaritou
With : Rokuro Gensho Umewaka, Yoshimasa Kanze, Norishige Yamamoto, Norihide Yamamoto, Seigo Mikuriya, Masamichi Yamazaki, Yasuharu Odagiri, Naotaka Kakuto, Takayuki Matsuyama, Kohei Kawaguchi, Motonori Umewaka, Masaki Umano, Kengo Tanimoto, Yuichiro Umawaka, Moe Nishio
And the musicians Manabu Takeichi, Genjiro Okura, Tatsushi Narita, Hirotada Kamei, Mitsunori Maekawa
Executive Producer : Tomoko Nishio
Producer : Hisashi Itoh
Produced : by Hellenic Festival, Dance West Inc.
Sound Supervising for the Theatre Performance:
" The Blind or The Sound of Little Things in a Big, Dark Landscape "
Zoe Chatziantoniou
Peiraios 260, Building H [ 12-13 July 2015 ] - 21:00
A composition based on the one-act play by Maurice Maeterlinck.
Deep in a forest a group of blind persons wait for their guide. When they realize he will never come, they take no action but instead abandon themselves to the mercy of a dark fate. Approaching blindness not as a bodily condition but as an ontological one, Zoe Hadjiantoniou and Dimitris Kamarotos compose a strange opera of sound and gesture that is inspired by Belgian Nobel-prize-winner Maurice Maeterlinck’s 1890 play, The Blind. Savina Yannatou and a Chorus of superb actors perform a playful metaphysical parable on the inertia of mortal beings “in the midst of an endless cosmos that is never inert,” in the words of Maeterlinck.
CREDITS:
Translated by Dimitra Kondylaki
Directed and Choreographed by Zoe Chatziantoniou
Music composition - Sound dramaturgy Dimitris Kamarotos
Set Design Elina Loukou
Costumes Eleni Manopoulou
Lighting Design Lefteris Pavlopoulos
Assistant Director Kostas Koronaios
Associate Artist Maria Tavlariou
Dramaturgical Research Dimitris Passas
Set Designer assistant Eleni Vardava
With : Giorgos Biniaris, Minas Hatzisavvas, Xenia Kalogeropoulou, Maria Kehagioglou, Ivonni Maltezou, Aneza Papadopoulou, Christos Stergioglou, Haris Tsitsakis Savina Yannatou [voice], Thodoris Kotepanos [piano]
Production Organization Lykofos ΑΜΚΕ
Executive Producer Katerina Mperdeka
Production Hellenic Festival
Video Design, Mapping, Processing & Live Sound Mix for the Theatre performance :
"TEXTILEN" By Maria Efstathiadi - Director : Victor Ardittis
Peiraios 260, Building H [ 6 July 2015 ] - [ 21:00 ]
Three generations of a bourgeois family in disintegration. Broken, hypocritical relationships allegorically reveal the means by which the threads of the history of modern Greek capitalist society are woven. Humorous children’s songs and disembodied voices comment on the guilt-ridden passions and latent violence that unfold on stage. Director Victor Ardittis approaches Maria Efstathiadis’ world by weaving together text, melody and movement to mount a tapestry of scenes depicting the course of the upper class in the 20th century. Until the young daughter burns it all down.
CREDITS:
Directed by Victor Ardittis
Sets - Costumes : Andonis Danglidis
Music : Dimitris Kamarotos
Video Design-Mapping : Vasilis Kountouris
Live Sound Mix : Costas Bokos
Movement : Iris Nikolaou
Lighting : Sakis Birbilis
Set Designer Assistants : Theodoropoulou Amalia, Lekou Lena
With Grandfather - Manos Stallakis The dead grandmother / The housekeeper - Sophia Seirli Father - Pericles Moustakis Mother - Themis Bazaka Daughter - Dimitra Vlagopoulou Maid / Miss Agnes - Rinio Kyriazi The man who walks - Dennis Makris Intangible voices - George Vourdamis, Themis Theocharoglou
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20/05/2015
Multimedia design & programming, for the performance :
"Theatres " - by Olivier Py
Directed by Violet Louise
MICHAEL CACOYANNIS FOUNDATION - ATHENS
(Hall: Specially Configured Underground Parking)
20 - 21 - 22, May 2015
21:00
2nd Contemporary Theatre Festival
"French theatre à la Grecque"
The French Institute of Greece and Michael Cacoyannis Foundation present :
Olivier Py "Theatres" performance
Actor, singer, director, writer, poet, Olivier Py is one of the most enlightened representatives of the french theatre and dramaturgy .Not hesitating to declare his Catholic faith and his homosexuality, Olivier Py, creates a dramatic universe based on a dense poetic language. Theatre, in Py’s universe is a church where the audience can find new meaning in a world devoid of values
Theatres is one of the first plays of Olivier Py with autobiographical elements. This text comprises of twelve chapters, like a personal diary. The first scene starts with an act of violnence. A young man is stubbed with a knife, on the road. As he dies, he remembers, the most crucial moments of his life, he recalls his wounds, those wounds that led him to the creative path of theatre and writing.
Olivier Py with french and algerian roots, speaks about violence from many different aspects: From the dark side of colonialism of the Algerian war to homophobia and street violence in the big cities and in families. Olivier Py tries to give some answers toy young people and children, who live with no orientation in a world without ethics. Those young people could find new meaning in this world through creation, through theatre. Theatre brings catharsis. Theatre can heal the wounds
Theatres is a declaration against bloody power. Olivier Py’s statement in this theatrical play is about the side you choose to be with. Better be a victim than a victimizer, better to be tortured than be a torturer, even if you have to offer your wounds at the altar of stupidity and human brutality.
CREDITS:
Direction - Music :
Violet Louise (Louiza Kostoula)
Translation: Maria Efstathiadi
Set design - Costumes:
Anagnostopoulos Nikos
Lighting: Thomas Oikonomakos
Creative team for the Visual and Sound Design :
Studio 19st , Aris Pavlidis
Multimedia design & programming :
Vasilis Kountouris (studio19st)
Performers:
Panagiotis Garbis ,
Violet Louise ( Louisa Kostoula )
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18/03/2015
Video Design & Processing, for the Musical-Theatre performance :
"The Song of the Dead Brother " - Mikis Theodorakis
Directed by Thanasis Papageorgiou
BADMINTON THEATRE
(Central Stage)
March 18 - April 5
In 1962, Mikis Theodorakis composed a dramatic synthesis based on The "Dead Brother's Song" named "The Ballad of the Dead Brother" which referred to the Greek Civil War and the then oppressive political situation in Greece.
The second big show in which the Badminton Theatre celebrates 90 years of Mikis Theodorakis is The Song of the Dead Brother . One of the most emblematic works of the great Greek artist , takes the stage of Badminton in a renewed version , elaborated by the composer himself directed by Thanasis Papageorgiou .
"The Song of the Dead Brother " is a devout folk tragedy inspired by the civil strife that erupted after the national epic against fascism . Fifty years after the first presentation , Thanasis Papageorgiou grapples again with this classic work , paying tribute to the leading Greek composer .
.
For the new , large production of the Theatre Badminton, Mikis Theodorakis has created a completely new version , attempting a conversation with this and adding an entire act . The first act deals with the dark period before and after the "Dekevriana" and composer incorporates 10 songs from " The Lyrics " with lyrics by Tasos Livaditis.
CREDITS:
Directed by Thanasis Papageorgiou
Scenery : Yiorghos Patsas
Video: Vasilis Kountouris (Studio19st)
Costumes: Lea Kousi
Choreography: Apostolia Papadamaki
Orchestrations: Giannis Belonis
Choral Music Teaching: Neni Zappa
Assistant Director: Giannis Anastassakis
Production: Mihalis Adam
Actors :
Leda Protopsalti, Costas Arzoglou, Nikos Arvanitis, Christos Plainis, Spyros Perdiou, Christos Callow, Niki Chantzidou, Evdokia Souvatzi, Elias Katevas, Eva Kaminari, Stella Gika, Costas Velentzas, Marialena Rozaki.
Singers for lyrics: Kalliopi Vetta, Kostas Thomaidis, Betty Harlafti
SINGER: Kostas Macedonas
They also play ( in alphabetical order) :
Yiorghos Giannibas, Myrto Theodoraki , Marianna Lagourou , Panagiota Manoli , Zacharoula Economou , Vaso Orkopoulou Vangelis Pitsilias Ioannis Pavlidis , Christina Platanioti Vangelis Salefris , EleftheriaStergidou , ThodorisToumpanos , Koralia Tsogka , Constantinos Famis .
Dancers :
Eirini Kyrmizaki, Thanassis Zervopoulos , Achilleas Chariskos
Popular Orchestra "Mikis Theodorakis" :
Giannis Belonis : Piano
Thanassis Vasilias : Bouzouki
Giannis Matsoukas : Bouzouki
Xenophon Symvoulidis : Oompoe , flutes , baglama
Vangelis Kontaratos : Guitar
Artemis Samaras : Viola
Lefteris Grivas : Accordion
Stavros Kavallieratos : Bass
Nikos Skomopoulos : Drums
Stefanos Theodorakis - Papangelidis : Percussion
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13/03/2015
Audio-Video Synthesis & Design, for the Multimedia Music Performance :
CITY 1> Live - multimedia performance
Friday March 13 - 21 : 00
Aimilios Riadis Hall
Concert: CITY 1 > live
Stella Gadedi (Flute), Yorgos Mouloudakis (guitar)
Sound design - video: studio19st
Multimedia performance for flute, guitar, live surround sound performance
(pre-recorded & processed audio materials) and video projection.
Multimedia music performance for flute, guitar, live surround sound performance
(pre-recorded & processed audio materials) and video projection.
Stella Gadedi (flute) - Yorgos Mouloudakis (guitar).
Sound design, sound synthesis & video by studio19st (multimedia team).
Two celebrated Greek virtuosos -- flutist Stella Gadedi and guitarist Yorgos Mouloudakis -- perform 'all-time classics' in a mood that is close to 'pop', as they pick out the profile of an imaginary city, made up of bits of other towns or cities, neighbourhoods or districts, people, times, moments, and sounds.
Works by Satie, Piazzolla, Stravinsky, Dyens, Ibert, Gossec, Hadjidakis and others, follow the composers' itineraries within their own towns in the manner that snatches of music accompany us within our real or imaginary 'cities'.
About the sound: the live performance of the musicians in combination with the daring sound design achieved by "studio19st" (multimedia team) give the listener a feeling of 'being there'. In between the pieces are the brash intrusions of city 1's urban soundscape: the cries of children playing in the square, cars whizzing by, people's voices heard from a light-well, hawkers in the Varvakios Market, whispering from the flat next door, a train rumbling into Theseion metro station...
[city 1] is available on CD from SIRIUS record company
Stella Gadedi and Yorgos Mouloudakis gained recognition as musicians initially through their work with some of the most notable composers of Greece's contemporary music scene, and then through their own solo recitals and compositions. On this occasion, as a musical offering, they will be performing a select number of excerpts from their second joint recording.
They have appeared for Greece at important international festivals and have worked for several years with pioneering audiovisual technologies in live performances -- in the experimental setting of "studio19st". It was this latter experience that has led them to propose a distinct and immediately recognizable novel approach to established recital formats.
Their records include two joint albums, "City 1" and "Dream for two", and solo work: "Stella Gadedi, solo flute", «When movie theatres were still open-air and would play songs during the intermission », «Gardens of the Night», and «The Book of Memory» featuring Stella Gadedi and "A short report to Manos Hadjidakis", "Yannis Ioannidis -- Chamber Music I", "Jorinde, the Acrobat and the Owl", and "Canciones al Arbor del Olvido" featuring Yorgos Mouloudakis.
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05/03/2015
Sound Design, Sound Mix & Color Correction for :
MATRIARCHY - A film by Nikos Kornilios
Tainiothiki - ATHENS
from 5 March 2015
Iera odos 48 & Megalou Alexandrou street
Keramikos - Athens
Tel : 210-3609695
SIXTY WOMEN. SEVEN DAYS. ONE WORLD.
A shelter is threatened by shutdown and demolition. 60 women of different ages, nationalities and social backgrounds gather in order to defend it, attempting to redefine their place in today’s world. By day they discuss and clash over all matters concerning them: society, sexuality, politics, relations, maternity, work. By night they let themselves free to express, dance, sing, confess their lived experiences to one another. What will come out of such an undertaking?
BEFORE MATRIARCHY
What we call Civilization is a gendered civilization – it is the male civilization.
Violence is everywhere.
A different way of living on the planet is possible if women give their own imprint on all aspects of life
if they manage to distinguish their voice after millenaries of male dominance on everything, on thought and habits, on the very language we speak every day,
if they go beyond the mere equality of rights to seek their own language, their own way of doing things,
regarding social life and our ways of being together and sharing goods, our relation to the body and its desires,
it is only by means of the feminization of civilization that an essentially different way of common life on Earth not governed by violence can exist
by the advent of MATRIARCHY
and if it sounds utopian, it is only the scenario
of a film.
N.K.
Credits:
CAST :
Evelina Arapidi, Eirini Assimakopolou, Alexandra Balomenou, Christina Baptista, , Anna Chanioti, Emmanouela Charatsi, Iris Chatziantoniou, Maria Derebe, Romalea Drega, Kleopatra Emmanouil, Penelope Flouri, Eva Gazanou, Nikoleta Gialelaki, Esther Andre Gonzalez, Esta Oko Ikediogo, Artemis Ioannou, Olga Ioannou, Eleni Kalara, Vasso Kamaratou, Dimitra Konstantinopoulou, Melissa Kotsaki, Christina Koukourouzi, Maria Lampraki, Lauretta Macauley, Eyfrosyni Makridou, Christina Manoli, Eirini Margaroni, Aurora Marion, Elpida Metaxa, Ioanna Michala, Dimitra Mitropoulou, Eleni Moleski, Eleni Nasiou, Elpi Oikonomou, Depy Panga, Aimilia Papadakou, Eleni Parginou, Katerina Parissou, Vasia Paspali, Zetta Pasparaki, Christina Skaza, Andromachi Spanelli, Elena Stamati, Eva Stylander, Konstantina Takalou, Vasiliki Troufakou, Gavriela Vasdeki, Andriani Vasilopoulou, Larissa Vergou, Katia O' Wallis, Eutuxia Xanthoudaki
and Katerina Anghelaki-Rouke, Eirini Inglesi, Maria Liapi, Maira Milolidaki, jina Politi, Olga Tournaki, Despina Tsouma
Directed by: Nikos Kornilios
Scenario: Nikos Kornilios, Evgenia Papageorgiou
Assistant Director: Eleni Gioti
Photography: Giorgos Papanikolaou, Alexis Iosifidis
Assistant Photographer: Aggelos Tsoukalas
Color correction: Vasilis Kountouris (studio19st)
Sound: Yannis Karamitros, Vasiliki Poulou, Iason Theofanou
Editing: Evgenia Papageorgiou
Sound Design, Sound Mix: Studio 19st - Kostas Bokos, Vasilis Kountouris
Scenic Design: Christos konstantelos
Production Assistants: Panagiotis Drakopoulos, Dimitris Ampatzis
Production Design: Evgenia Papageorgiou
Production: Nikos Kornilios, Greek Film Center
SIXTY WOMEN. SEVEN DAYS. ONE WORLD.
A shelter is threatened by shutdown and demolition. 60 women of different ages, nationalities and social backgrounds gather in order to defend it, attempting to redefine their place in today’s world. By day they discuss and clash over all matters concerning them: society, sexuality, politics, relations, maternity, work. By night they let themselves free to express, dance, sing, confess their lived experiences to one another. What will come out of such an undertaking?
BEFORE MATRIARCHY
What we call Civilization is a gendered civilization – it is the male civilization.
Violence is everywhere.
A different way of living on the planet is possible if women give their own imprint on all aspects of life
if they manage to distinguish their voice after millenaries of male dominance on everything, on thought and habits, on the very language we speak every day,
if they go beyond the mere equality of rights to seek their own language, their own way of doing things,
regarding social life and our ways of being together and sharing goods, our relation to the body and its desires,
it is only by means of the feminization of civilization that an essentially different way of common life on Earth not governed by violence can exist
by the advent of MATRIARCHY
and if it sounds utopian, it is only the scenario
of a film.
N.K.
Credits:
CAST :
Evelina Arapidi, Eirini Assimakopolou, Alexandra Balomenou, Christina Baptista, , Anna Chanioti, Emmanouela Charatsi, Iris Chatziantoniou, Maria Derebe, Romalea Drega, Kleopatra Emmanouil, Penelope Flouri, Eva Gazanou, Nikoleta Gialelaki, Esther Andre Gonzalez, Esta Oko Ikediogo, Artemis Ioannou, Olga Ioannou, Eleni Kalara, Vasso Kamaratou, Dimitra Konstantinopoulou, Melissa Kotsaki, Christina Koukourouzi, Maria Lampraki, Lauretta Macauley, Eyfrosyni Makridou, Christina Manoli, Eirini Margaroni, Aurora Marion, Elpida Metaxa, Ioanna Michala, Dimitra Mitropoulou, Eleni Moleski, Eleni Nasiou, Elpi Oikonomou, Depy Panga, Aimilia Papadakou, Eleni Parginou, Katerina Parissou, Vasia Paspali, Zetta Pasparaki, Christina Skaza, Andromachi Spanelli, Elena Stamati, Eva Stylander, Konstantina Takalou, Vasiliki Troufakou, Gavriela Vasdeki, Andriani Vasilopoulou, Larissa Vergou, Katia O' Wallis, Eutuxia Xanthoudaki
and Katerina Anghelaki-Rouke, Eirini Inglesi, Maria Liapi, Maira Milolidaki, jina Politi, Olga Tournaki, Despina Tsouma
Directed by: Nikos Kornilios
Scenario: Nikos Kornilios, Evgenia Papageorgiou
Assistant Director: Eleni Gioti
Photography: Giorgos Papanikolaou, Alexis Iosifidis
Assistant Photographer: Aggelos Tsoukalas
Color correction: Vasilis Kountouris (studio19st)
Sound: Yannis Karamitros, Vasiliki Poulou, Iason Theofanou
Editing: Evgenia Papageorgiou
Sound Design, Sound Mix: Studio 19st - Kostas Bokos, Vasilis Kountouris
Scenic Design: Christos konstantelos
Production Assistants: Panagiotis Drakopoulos, Dimitris Ampatzis
Production Design: Evgenia Papageorgiou
Production: Nikos Kornilios, Greek Film Center
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11-22/01/2015
Video Design, Programming & processing for the Theatre Performance :
THE ARRIVAL - Zoe Hatziantoniou
ONASSIS CULTURAL CENTRE - ATHENS
11 - 22 January 2015
What’s it like leaving everything you know behind to travel alone to a strange and distant land, to an unknown place where-for you-nothing has a name? What does it feel like to be a stranger in a strange land?
Based on the wordless graphic novel of the same name by the award-winning author, Shaun Tan, Arrival is a visual and auditory narrative which conveys the experience of the ‘stranger in the strange land’ in a highly inventive way. The director and choreographer Zoe Hatziantoniou has put an original production on stage which brings adults and children face to face with all the changes life can bring, with all the ‘arrivals’ big and small we have to adapt to on a daily basis.
The Arrival is a fairytale about immigration in an imaginary time and place. A father is forced to leave his family and his homeland. With just a suitcase and very little money, he crosses vast oceans to reach an unfamiliar world with bizarre creatures and things. Hampered by language most of all, he seeks shelter, food and work in order to build a new life for himself and his family from scratch. The production is a combination of theatre, dance, photography, silent cinema, video, sound and music. Five performer-narrators employ all the means the theatre provides to compose a history of Arrival live on stage, using objects which produce unfamiliar sounds to construct the production's sound-world (based on a conception by Dimitris Kamarotos), and conjuring up an on-stage theatrical atmosphere which is on the cusp between reality and fantasy, fairytale and life. Arrival is the story of every immigrant, every refugee, every displaced person, but it is also a tribute to everyone who has made this journey.
Credits:
Direction, Choreography & Dramaturgy: Zoe Hatziantoniou
Music & Sound Dramaturgy and Live Music & Sound Production: Dimitris Kamarotos
Set & Costume design: Kenny MacLellan
Collaborating set designers: Giannis Arvanitis, Olga Brouma
Assistant to the Costume Designer: Margarita Dosoula
Video design, programming & processing: Vasilis Kountouris / studio 19st
Lighting design: Giannis Drakoularakos
Line production: Maria Dourou
Production assistant: Tzella Christopoulou
With: Alexandra Aidini, Kostas Koronaios, Giorgos Symeonidis, Michalis Sarantis, Antigone Fryda, Hossain Amiri
Production: Onassis Cultural Centre - Athens
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30 & 31/07/2014
Live Sound Mix & Sound Supervising for the Theatre Performance:
"The Satin Slipper, or, The Worst is not the Surest by Paul Claudel
Direction and adaptation : Effi Theodorou
30-31 July, 20:00 Peiraios 260, Building D
Effi Theodorou directs Paul Claudel’s The satin slipper, a paean to the limitless possibilities of the theatre, the stage where “poor Man can, for a few hours, feel like a god”. An oeuvre fleuve which, with daring and naivety, employs every form of theatre from the pathétique to the burlesque, and every mode of acting, to tell of the human adventure: wars of expansion, religious intolerance, the conquest of the New World, and—at the epicenter of the action—Love as a means of knowing the Other: God.
CREDITS
Translation: Stratis Pascalis
Direction and adaptation: Effi Theodorou
Music: Nikos Platanos
Lighting Design: Alekos Yiannaros
Set Design: Eva Manidaki
Costumes: Ioanna Tsami
Dramaturg – assistant director: Nassia Fourtouni
Sound mix & Sound Supervising: Costas Bokos - Studio 19st
Movement: Camilo Bentancor
Hermes Malkotsis
Assistant director: Aspasia - Maria Aleksiou
With Maximos Moumouris, Maria Skoula, Haris Frangoulis, Periklis Moustakis, Konstantinos Avarikiotis and Marianna Dimitriou et.al.
With the support of the Institut français in the context of the Hellas-France Alliance 2014.
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Summer / 2014
Participation at performances :
Blood Wedding by Federico García Lorca
23-24 July, 21:00 | Peiraios 260, Building H
Elli Paspala & The UNDERGROUND YOUTH ORCHESTRA
"P.I.G.S. Music of the South"
19 July, 21:0 / Fougaro - Nafplio.
Municipal Regional Theatre of Patras & Αρτivities - Kostas Filippoglou
Philoctetes by Sophocles
19 July, 21:00 / Ancient Theatre of Epidaurus
4 September, 21:00 / Odeon of Herodes Atticus
Concept, direction, music by Louisa Kostoula (Violet Louise)
12 July, 21:00 / Palaio Eleourgio - Eleusina
The Helter Skelter Company – Thanos Papakonstantinou
Redwards Shift, by Yannis Mavritsakis
6-7 July, 21:00 Peiraios 260, Building H
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from 5/06/2014
Sound Synthesis, Processing & Mastering for the Multimedia Application :
Soundscapes / Landscapes
ONASSIS CULTURAL CENTRE - ATHENS
from 5 June 2014
Monday – Friday 16:00-20:00
Saturday Sunday 12:00-20:00
(return the device by 21:00)
Medea Electronique - Soundscapes / Landscapes
A walk around Onassis Cultural Center (Neos Kosmos, Athens) with the help of an audio-visual interactive map via smart phone or tablet.
An online interactive map - Rhizome 1
A group of audio and visual artists invite us on a city tour which employs a new form of artistic digital mapping. Starting at the Onassis Cultural Center, viewers armed with a special interactive digital map are guided in real time around Neos Kosmos, a neighbourhood full of secrets and beauty. On the viewer's tablet or smartphone, the area is transformed into a digital urban installation with artworks which draw on material from the digital mapping -the buildings, businesses and public spaces of Neos Kosmos, Panteion university and the local streets- but also, behind and within all that, the people who live there, their history and their present.
A unique interactive experience for your enjoyment.The route you follow may have neither beginning nor end. There is no set time in which you must complete it, not any specific region you must visit. You are free to compose your own route in as flexible a way as you wish, with the only limits being the boundary of the area on the map within which the experience is active. You should only watch out for passing cars as you walk.
In order to make your life easier you may choose to use your own personal smart phone or tablet, given that you will be more familiar with this device than others. If you wish, you may borrow a device from the Onassio Cultural Center.
Download from : Google play (https://play.google.com/store/apps/details?id=com.calvium.soundland) or from iTunes (https://itunes.apple.com/gr/app/soundscapeslandscapes-player/id808749235?mt=8)
Soundscapes Landscapes
Production: Onassis Cultural Centre
A project by Medea Electronique, 2013/2014
An online interactive map - Rhizome 1 Neos Kosmos, Athens
Credits:
Sound: Costas Bokos (Studio19st), Christos Carras, Vassilis Koundouris(Studio19st), Marinos Koutsomichalis,Manolis Manousakis, Tim Ward
Video: Panagiotis Goubouros, Kleopatra Korai, Michael Larsson
Curator/Texts: Angeliki Poulou
App Design: Calvium
App Graphic Design: Beetroot
Production Coordination: Manolis Manousakis
Voice Over: Yannis Evaggelidis, Nadia Deliyannis, Stavros Loukeris
Production: Onassis Cultural Centre-Athens
The residents of Neos Kosmos made a very significant contribution to the realization of the project. Our thanks for their invaluvable assistance and warmth go to: Father Constantine of the Holy Ascension Church, the Rector of Panteion University, the Muslim Association of Greece, the Solidarity Club of Neos Kosmos, the Armenian Orthodox Church St. Karabet, the coffee shops "Pareaki" and "Efimeron" and finally Thomas, owner of "Thomas Kebab". Thanks are also due to Christos Provezis for the use of his 1915 map of the area, Dorothy Anastasiadou for her contribution to interviewing residents of Neos Kosmos, Anna Lidaki, Sklavenitis supermarkets, the Cornell Ornithology Lab – Macaulay Library of Natural Sounds for the use of samples from a small number of recordings and the Onassis Cultural Centre-Athens. We would also like to thank all the people who paused to talk to us, watch what we were doing, tell us their stories and share their pictures and local information.
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25 & 26/04/2014
Experimental electronic sound performance at Electronic Arts Festival:
"Electric Nights" at Vyrsodepseio - Athens
"Pollution after" - live ocean internet surffing on 26 April 2014 [ 15:00 - 16:00 ]
Also on 26 April [ 16:00 - 17:00 ] live analog visual projection of "water audio patterns"
with Dimitris Kamarotos & Nikos Kyriazopoulos performance, at Electronic Arts Festival:
Electric Nights
2-Days of Electronic Arts - Medea Electronique
Vyrsodepseio | Orfeos 174 Votanikos | 210 3453203
ELECTRIC NIGHTS | 2-Days of Electronic Arts
25 – 26 April, 2014
27 hours of live experimental electroniq music : from 21.00 -25 April- to 00:00 -27 April-
Live experimentalelectronic sound festival,
DIY & noise arts. Crossmedia improvisation.
The "Medea Electronique" team in collaboration with Vyrsodepseio (Tannery) , organized for the second time the 27hours experimental electronic music festival 'Electric Nights'. In this unique ritual , producing a strong creative energy in a continual program of innovative and participatory , cross-media, improvisation . Regular guests of Medea Electronique from Greece and abroad , collaborating on stage in performances of electronic music .
Since 2008 , the Medea Electronique organize annual festival of electronic arts with different themes . During these two days, Medea Electronique designed to establish common patterns in live electronic music from around the world . The musical style relates to electronic experimental music , as well as DIY (Do It Your Self) and noise figures. This year's event looks forward to participation DIY practitioners who wish to showcase their musical instruments or their components .
Line-up:
21:00 | Μανώλης Μωραιτης (Greece)www.manolismoraity.com |
22:00 | Yorgo Yeorgiou, Γιώργος Γεωργίου(Greece)http://yorgoyeorgiou.com |
23:00 | Yoshihito Nakanishi (Japan)http://yoshihito-nakanishi.com/ |
24:00 | Malte Steiner (Germany) www.elektronengehirn.de |
01:00 | Alexander Senko (Russia)http://www.acousticimages.net |
02:00 | Marinos Koutsomichalis, Μαρίνος Κουτσομιχάλης (Greece)http://www.agxrivatein.com |
03:00 | ISE (Greece) |
04:00 | Maria F. Dolores, Kapnovatis http://transnoise.tumblr.com |
05:00 | Nightshift (Greece) |
06:00 | Manousakis Manolis, Μανώλης Μανουσάκης (Greece)www.manolismanousakis.com |
07:00 | Stelios Giannoulakis, Στελιος Γιαννουλάκης (Greece)http://steliosgiannoulakis.wordpress.com/ |
08:00 | Kostis Drygianakis, Κωστής Δρυγιανάκης (Greece) |
09:00 | Iannis Zannos, Aris Bezas, Ιάννης Ζάνος, Αρης Μπέζας – Animal Affairs (Greece)http://www.ionio.gr/~tas/english/staff/zannosE.htmhttps://soundcloud.com/aris-bezas |
10:00 | Byron Chris, (Greece)http://feltcollective.com |
11:00 | Δάκης Τρέντος, Βαγγέλης Τσατης (Greece) |
12:00 | afp (awkward family photos) (Greece)http://www.afp.gr |
13:00 | Akis Sinos, Άκης Σίνος (Greece) |
14:00 | Yannis Kotsonis, Γιάννης Κοτσόνης – Sister Overdrive (Greece)https://soundcloud.com/manichope |
15:00 | Studio 19 (Costas Bokos, Vassilis Kountouris) (Greece)http://www.studio19st.com |
16:00 | Kamarotos / Kyriazopoulos, Καμαρωτός / Κυριαζόπουλος (Greece) |
17:00 | Ewa Justka (Poland)http://ewajustka.tumblr.com/ |
18:00 | Theofilos Sotiriades / Elaine Lillios (Greece / USA)http://www.sotiriades.com/Welcome.htmlhttp://elillios.com/home/index.php/en/ |
19:00 | Andreas Monopolis, Ανδρέας Μονόπολης (MoCM) (Greece)http://monopolis.gr/ |
20:00 | Thiago Salas, Alvaro Rosso (Brazil / Portugal)https://myspace.com/thiagosalashttps://www.facebook.com/alvaro.rosso.52 |
21:00 | Nikos Kyriazopoulos, Νίκος Κυριαζόπουλος (Greece)https://soundcloud.com/nikoskyriazopoulos |
22:00 | Self Absorption (Alexandros Drymonitis, Alessandra Leone) (Greece / Italy)http://www.drymonitis.mehttp://www.alessandraleone.com |
23:00 | Cados Sanchez (Brazil) |
24:00 | Dimitris Kamarotos, Δημήτρης Καμαρωτόςwww.dimitriskamarotos.com |
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31/03/2014
Sound design for the performance :
"APORIA" - Collective Ludwig
Athens School of Fine Arts [ 31/03/2014 - 12/04/2014 ]
Exhibition venue "Nikos Kessanlis" : 20.30
Performances : March - 31 & April - 2, 5, 8, 10, 12.
[ Address: 256 , Piraeus Str, Athens ]
Tickets: 10€, student: 5€. [ Τel. 6944287532 ]
The collective Ludwig presents for the first time his work in Greece, with his new project "Aporia".
The collective since its inception in Paris in 2001 brings together artists with varied action. Among others have collaborated with George Balanchine, Martha Graham, Jerome Andrews, Kurt Jooss, Pina Bausch, Anna Halprin, Jiri Kylian, William Forsythe.
Among the objectives of the collective stand out :
- The promotion of a composition that highlights the ephemeral nature of orchestral art.
- The emergence of unprecedented moment of creative act.
- The establishment of a conscious public ready to penetrate the maze of each creative event.
The specificity of the exhibition space provoked and inspired creatively Ludwig collective, whose works are intertwined with the spirit of the performance area where each performance takes place.
CREDITS :
Choreography / Dance: Christine Kono, Dimitris Kraniotis, Stéphane Vernier, Liz Waterhouse
Lighting Design - Stage Area: Paolo Rudelli
Music Editor: Christine Kono
Sound design : Vasilis Kountouris (Studio 19st) - Costas Bokos (Studio 19st)
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04/03/2014 - EXTRA - PERFORMANCES
Video & sound design for the Theatre Performance:
"In the Basements of BBC"
Concept, direction, music by Louisa Kostoula (Violet Louise)
MICHAEL CACOYANNIS FOUNDATION - ATHENS
EXTRA - PERFORMANCES
Friday 7, Saturday 8 & Friday 14, Saturday 15 March 2014
21:30 Black Box
[ Address: 206, Piraeus Str. (near Chamosternas Str.) Tavros, Athens 177 78 - Tel.: +30 210 341 8550 ]
Violet Louise presents, the music performance “BBC Basements” based on the life and work of the English composer of electronic music, Delia Derbyshire.
Delia Derbyshire was a pioneer in the field of electronic analogue music and musique concrete and one of the first members of the BBC Radiophonic Workshop. She composed music and sounds for two hundred radio and television programs as well as the legendary theme of the famous science fiction series, Doctor Who, in collaboration with composer Ron Grainor. Ron Grainor proposed Delia as a co-composer for the music theme of Doctor Who, but BBC refused to give her royalties because she was hired as a sound engineer.
Delia collaborated with avant gard composers and famous pop stars of the music industry (Paul McCartney, Pink Floyd, Yoko Ono). In 1973 she left BBC, considering her work hadn’t been recognized. For a short period of time she worked in various fields outside the music industry.
In 2000 Peter Camper, a young musician, convinced her to work with him in a new musical project. This project was never finished. She died suddenly, because of her long-term alcoholism. After her death 264 music tapes and thousands of scores were found in her attic.
Although she was one of the first women who worked in the field of electronic music and sound in those times, she received neither recognition, nor any royalty means for her work.
Delia Derbyshire’s work had to do with analog music. She refused to be part of a system, when computers came along. She felt that this kind of development in electronic field made things easier for those who want to create electronic sounds, even though they don’t have the slightest idea of how an electronic sound is being created.
Concept, direction, music: Louisa Kostoula (Violet Louise)
Actors-Musicians: Panagiotis Garbis, Louisa Kostoula
Video: Vasilis Kountouris (Studio19st)
Sound Design: Aris Pavlidis - Vasilis Kountouris (Studio19st) - Louisa Kostoula
Construction DIY Music-audio devices MoCm: Andreas Monopolis
Movement: Pauline Huguet
Costumes: Lilian Xidia
Visual Editor: Makis Faros
Lights: Thomas Oikonomakos
Photos: Vassilis Makris
Assistant Production: Neofitos Panagiotou
Communication Manager: Mania Zousi
We want to thank Theodora Kapralou, Konstantinou Takalou, Gianna Kafe and Penelope Flouri
With the support of the Aisxylia Festival
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15/01/2014
Live Sound Mix & Sound Supervising for the Theatre Performance:
"Faust" by Goethe
ONASSIS CULTURAL CENTRE - ATHENS
15 January 2014 - 2 February 2014
20:00 Main Stage
Michael Marmarinos returns to the Main Stage for the first time since the OCC opening ceremony he conceived.
The internationally lauded Greek director tackles the myth of the man who sold his soul to the Devil -
the archetypal myth of European modernist thought.
With an exceptional cast and Akyllas Karazisis negotiating the labyrinth of Goethe’s Faust, the innovative Greek director makes use of a host of other intertextual references as well as unexpected spaces to present a production whose descent into the darkest recesses of human Desire promises much.
Direction: Michael Marmarinos
Dramaturgy: Armin Kerber
Μusic, Live Performance & Sound Design: Dimitris Kamarotos
Live Sound Mix : Costas Bokos (Studio19st)
Lighting: Giannis Drakoularakos
Set design: Kenny MacLellan
Costumes: Mayou Trikerioti
Production Manager: Rena Andreadaki
With: Akyllas Karazisis, Theodora Tzimou, Evi Saoulidou, Electra Nikolouzou, Elena Topalidou, Phoebus Rimenas, Nikolas Chanakoulas, Daphne Ioakimidou-Patakia, Smaro Gaitanidou, George Biniaris
Production: Onassis Cultural Centre
Michael Marmarinos | "Faust" by Goethe from SGT | OCC on Vimeo.
15 January 2014 - 2 February 2014 , 8.00pm,at Stegi |
http://i.sgt.gr/_MichaelMarmarinos_Faust
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21 & 22/12/2013
Low Resistance Festival
drones & noise
Vyrsodepseio | Orfeos 174 Votanikos | 210 3453203
Live Real Time Chladni pattern creation (type-form... : "Water Audio Patterns").
Live Audio Performance with the "hybrid Sound System" of studio19st sound team
(Korg MS analog system & SAD01).
Dimitris Kamarotos and Nikos Kyriazopoulos organize Saturday, December 21 at 21:30 & Sunday, December 22 at 17:00 & 21:30 , a two-day noise / drone Festival and they suggest a meeting of people and standing waves in motion .
" The space itself , the Tannery has presented us with a route through a forest of tsementokolones , vibrating noise , resonances and standing waves from a mono playback system of great power . "
The listener has the opportunity to follow the many trails in the area , exploring the density of sine waves . A compressor will draw real sound trace a route.
It will be a video projection showing Chladni Patterns with proportional means the number of harmonics and vibration . The operation of the compressor will be recorded and captured on video and will be viewed as a documentation and memory footprint left on the floor , says Dimitris Kamarotos .
A proposal by Dimitris and Nikos Kamarotos Kyriazopoulos
Space Design / Path Creation : Eva Manidaki ( architect)
Fotis Grill ( assistant )
Creating water Chladni graphs in real time / Video: Vasilis Kountouris
Line-up:
Giorgos Axiotis
Giorgos Georgiou
Akis Daoutis
Alexandros Drimonitis
Thodoris Zioutos
Dimitris Kamarotos
dimitris Karagiorgos
Vasilis Kountouris
Marinos Koutsomihalis
Giannis Kotsonis
Nikos Kiriazopoulos
Ilan Manouach
Manolis Manousakis
Akis Sinos
Danae Stefanou
Acte Vide
Τim Ward
Studio19st
ISE
Balinese Beast
2days noise/drone festival at Vyrsodepseio - Athens: Orfeos 174, Votanikos - Dates: 21/12/13 at 21:30 & 22/12/13 at 17:00 & 21:30 - phone : 2103453203
Low Resistance 2 days drones&noise Vyrsodepseio
Low Resistance - εκδηλώσεις | Βυρσοδεψείο
Low Resistance 2 days drones&noise Vyrsodepseio
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18/05/2013
Sound Design - Sound Mix & color correction for Nikos Kornilios film:
"MATRIARCHY"
We present to you MATRIARCHY! An unprecedented and inspiring film experiment which asks for your support. We are deeply moved by this singular project of collective and voluntary work by 60 actresses and 15 film professionals! A film about women today cannot be just a personal film. And it does not concern only women. We invite you to be part of it!
CAST (in development) :
Evelina Arapidi, Eirini Assimakopolou, Kassandra Bafaloukou, Christina Baptista, Dimitra Barla, Anoixia Bountziouka, Anna Chanioti, Emmanouela Charatsi, Iris Chatziantoniou, Maria Derebe, Maria Diakoumakou, Romalea Drega, Kleopatra Emmanouil, Penelope Flouri, Eva Gazanou, Nikoleta Gialelaki, Esther Andre Gonzalez, Maria Gritzapi, Eirini Iglesi, Artemis Ioannou, Olga Ioannou, Eleni Kalara, Stella Kalisperatou, Dimitra Konstantinopoulou, Melissa Kotsaki, Maria Lampraki, Eyfrosyni Makridou, Christina Manoli, Eirini Margaroni, Elpida Metaxa, Ioanna Michala, Maira Milolidaki, Dimitra Mitropoulou, Eleni Moleski, Elpi Oikonomou, Depy Panga, Aimilia Papadakou, Eleni Parginou, Katerina Parissou, Vasia Paspali, Zetta Pasparaki, Elina Rizou, Penelope Sergounioti, Christina Skaza, Andromachi Spanelli, Elena Stamati, Margarita Stavropoulou, Eva Stylander, Konstantina Takalou, Vasiliki Troufakou, Gavriela Vasdeki, Andriani Vasilopoulou, Larissa Vergou, Eutuxia Xanthoudaki
CREW (in development) :
Direction, Dramaturgy: Nikos Kornilios
Collaboration in Dramaturgy: Evgenia Papageorgiou
Assistant Director: Eleni Gioti
Photography: Giorgos Papanikolaou, Alexis Iosifidis
Assistant Photographer: Aggelos Tsoukalas
Color correction: Vasilis Kountouris (studio19st)
Sound: Yannis Karamitros, Vasiliki Poulou, Iason Theofanou
Editing: Evgenia Papageorgiou
Sound Design, Sound Mix: Studio 19st - Kostas Bokos, Vasilis Kountouris
Scenic Design: Alexandra Balomenou
Production Assistants: Panagiotis Drakopoulos, Dimitris Ampatzis
Production Design: Evgenia Papageorgiou
Production: Nikos Kornilios
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14/05/2013
Sound design & sound mix for Nikos Kornilios film :
"11 MEETINGS WITH MY FATHER"
TAINIOTHIKI of GREECE - Athens
From 9 May 2013 - Hall 1 (20:00)
Greek Movie, directed by Nikos Kornilios
Actors : Lampros Apostolou, Eva Galogavrou, Eva Stylander, Giorgos Tzouvelekis & Maira Milolidaki.
Eva, a young girl who is studying classical singing, meets for the first time her father, who was unaware until now its existence....
Credits :
Script: Kikos Kornilios, Eugenia Papageorgiou
Photoghraphy : Klaoundio Bolivar, Nikos Thomas
Editing : Eugenia Papageorgiou.
Sound recording on location : Βασιλική Πούλου
Sound design & sound mix : Costas Bokos (studio19st)
Production / Direction : Kikos Kornilios
11 synantiseis me ton patera mou - trailer HD
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11/05/2013
Live Sound Mix & Sound Supervising for :
"Bacchae" - Georgia Spiropoulos
ONASSIS CULTURAL CENTRE - ATHENS
11 May 2013 - 21:00 Upper Stage
The Greek première of Georgia Spiropoulos’ Bacchae is presented alongside another three of her works over a single evening. The common thread running through all the pieces is the human voice. Spiropoulos composes acoustic, electro-acoustic and mixed works in which she employs music technology. In her work, the avant garde meets oral tradition, and written composition the plasticity of the sonic phenomenon. Spiropoulos studied classical piano, jazz improvisation and advanced theory in Athens and composition, electro-acoustic music and form analysis in Paris. She has a master’s degree from the École des hautes études en sciences sociales (EHESS) in Paris, and is a winner of the Villa Médicis Hors les Murs award. She has worked as a musician and orchestrator in the sphere of oral music tradition, and as a composer-researcher at IRCAM, where she investigated ‘metamorphoses’ of the voice via computer. She also collaborates with a number of music groups, soloists and choirs in Europe, the US and Asia, from whom she has received a number of commissions. Her works are played at international festivals, and she is often invited to lecture on her work.
There will be a short pre-performance presentation of the works by Georgia Spiropoulos.
PROGRAMME :
Brut
Saksti
Bouches
Bacchae
WITH
Voice: Médéric Collignon (Bacchae), Shigeko Hata (Bouches)
Tenor saxophone: Theofilos Sotiriadis
Music technology: José Miguel Fernández
Sound projections: Georgia Spiropoulos, José Miguel Fernández
Sound: Costas Bokos
Direction and artistic oversight: Georgia Spiropoulos
Lighting & sets: Arnaud Jung
With the support of: IRCAM – Centre Pompidou
Hyperlinks
Official website
YouTube
Performance: 03/04/2012
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13/04/2013
Live Sound Mix - Recording & Sound Supervising for :
"Wandering tales" - Multimedia performance - Savina Yannatou
ONASSIS CULTURAL CENTRE - ATHENS
13 April 2013 - 20:30 Main Stage
Languages real and imagined meet in the routes of migration, the meanderings of memory, sea-bed imagery. A journey in sound from the arid lands of expatriation to the watery depths of forgetting, change and metamorphosis. The artful merging of music and the spoken word, with the musicians’ instruments charting a parallel course: from fabulous peregrinations to the phantasmagoria of a world “as rich and strange as an undersea landscape”, the road becomes sound and words. And the music goes on, current and eternal… And the strangest thing of all: even in an era where everything goes (in which everything is connected stylistically or contiguous to everything else), you’re still not likely to find the contemporary double bass and the Renaissance viola da gamba, the modal ney of the East and the well-tempered piano of the West, the historic lyre of Constantinople and the electronic sounds of the 21st century playing together in the same band. But everything’s possible with musicians like these...
Savina Yannatou is one of very few artists who could bring so much difference together in a single group to creative effect. Her unusual curriculum vitae reflects the unusual combo she fronts: songs for children and adults, a repertoire ranging from the Mediaeval to the Baroque, the Mediterranean to the Balkans, from Sephardic to Smyrnaean traditions, and from free improvisation through free jazz to music that defies classification.
At her side: Lamia Bedioui (song), Haris Lambrakis (ney), Socrates Sinopoulos (Constantinopolitan lyre), Andreas Linos (viola da gamba), Michalis Siganidis (double bass), Manolis Manoussakis (live electronics, sound design), Maxim Mankofski (percussion), Yiannis Despotakis (vocals). The group is joined by the pianist, vocalist and jazz performer, Evgenia Karlafti, and Yannatou’s long-term collaborator, the poet and translator Giorgos Koropoulis. Savina takes care of the composition, orchestration, and the arrangement of existing material and vocal parts. In search, as ever, of a new poetic of music.
Performance: 13/04/2013
Savina Yannatou live "Wandering tales" at Onassis Cultural Center. [13-04-2013]
Rehearsal photos by Vasilis kountouris (studio19st)
With:
Savina Yannatou: voice
Lamia Bedioui: song
Haris Lambrakis:ney
Socrates Sinopoulos: Constantinopolitan lyre
Andreas Linos: viola da gamba
Michalis Siganidis: double bass
Manolis Manoussakis: live electronics, sound design
Evgenia Karlafti: piano
Maxim Mankofski: percussion
Yiannis Despotakis: vocals
Giorgos Koropoulis: narration
Kleopatra Korai (lokey): video animation
Live performance sound supervisor &
front of house (FOH) sound engineer : Costas Bokos (studio19st)
Stage sound engineer : Yorgos Katsianos
Recording engineer : Vasilis Kountouris
SAVINA YANNATOU | Wandering stories from SGT | OCC on Vimeo.
Σαβίνα Γιαννάτου | Wandering stories | 13 April 2013, 8.30pm,at Stegi | http://i.sgt.gr/_SavinaYannatou
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03/04/2013 - 24/04/2013
Sound Design for the Performance :
First performance: 03/04/2013
Last performance: 24/04/2013
PICCOLO Teatro di Milano - Teatro d' Europa
The great epic work of ancient Greek poetry tells the story of Odysseus's journey home after the Trojan War and what happens when the hero arrives at Ithaca. It is a transcendental tale that has always been the symbolic text par excellence about human adventure and the wanderings of existence in a harsh but exciting world. Robert Wilson's encounter with Homer is one of the major artistic events of this season. One of the most influential and acclaimed artists in world theatre brings his own unique approach to the material. The sensitivity, inventiveness and imagination of the great American director resonate with the Homeric spirit, creating a spellbinding new theatrical language. Eighteen carefully chosen performers and Wilson's own internationally renowned collaborators bring all their artistry to bear on this unique venture, which is intended for all audiences, regardless of age or experience of the theatre.
A joint production with National Theatre of Greece
Concept, Direction, Set and Lighting concept Robert Wilson
Piccolo Teatro Strehler
dal 3 al 24 aprile 2013
Odyssey
progetto, regia, scene e luci Robert Wilson
musica Theodoris Ekonomou
testo Simon Armitage da Omero, drammaturgia Wolfgang Wiens
costumi Yashi Tabassomi
collaborazione alle scene Stephanie Engeln
collaborazione alle luci Scott Bolman
suono Studio 19 - Kostas Bokos, Vassilis Kountouris
con Zeta Douka, Lydia Koniordou, Alexandros Mylonas, Maria Nafpliotou, Vicky Papadopoulou, Apostolis Totsikas, Nikitas Tsakiroglu, Stavros Zalmas, Thanassis Akokkalidis, Konstantinos Avarikiotis, Kosmas Fontoukis, Yorgos Glastras, Akis Sakellariou, Yorgis Tsabourakis, Yorgos Tzavaras, Marianna Kavalieratou, Lena Papaligoura
Ciclope (voce fuori scena) Dimitris Piatas
pianoforte Thodoris Ekonomou
registi assistenti Tilman Hecker, Ann-Christin Rommen
supervisione musicale Hal Willner
traduzione in greco moderno/collaborazione alla drammaturgia Yorgos Depastas
assistente alla regia Natassa Triantafylli
assistente alle scene Maria Tsagari
assistenti ai costumi Vassiliki Syrma
preparatrice vocale Melina Paionidou
supervisione trucco Evi Zafeiropoulou
supervisione parrucche e acconciature Chronis Tzimos
scenografie, oggetti di scena e costumi realizzati dai Laboratori del Piccolo Teatro
produzione Piccolo Teatro di Milano - Teatro d’Europa, Teatro Nazionale di Grecia, Atene
con il patrocinio di Ministero degli Affari Esteri d'Italia, Ministero degli Affari Esteri di Grecia
Special Sponsor CARPIGIANI
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26/10/2012 - 16/03/2013
Sound Design for the Performance :
First performance: 26/10/2012
Last performance: 16/03/2013
The great epic work of ancient Greek poetry tells the story of Odysseus's journey home after the Trojan War and what happens when the hero arrives at Ithaca. It is a transcendental tale that has always been the symbolic text par excellence about human adventure and the wanderings of existence in a harsh but exciting world. Robert Wilson's encounter with Homer is one of the major artistic events of this season. One of the most influential and acclaimed artists in world theatre brings his own unique approach to the material. The sensitivity, inventiveness and imagination of the great American director resonate with the Homeric spirit, creating a spellbinding new theatrical language. Eighteen carefully chosen performers and Wilson's own internationally renowned collaborators bring all their artistry to bear on this unique venture, which is intended for all audiences, regardless of age or experience of the theatre.
A joint production with Milan's Piccolo Teatro-Teatro di Europa
Concept, Direction, Set and Lighting concept Robert Wilson
Dramaturg Wolfgang Wiens
Co-director Ann Christin Rommen /
Tilman Hecker
Costume designer Yashi Tabassomi
Music supervisor Hal Willner
Collaborator-Set designer Stephanie Engeln
Collaborative Light designer Scott Bolman
Translation of text into Greek - Dramaturgical support Giorgos Depastas
Music Thodoris Ekonomou
Sound design Studio 19 - Kostas Bokos, Vassilis Kountouris
Assistant director Natassa Triantafylli
Assistant set designer Maria Tsangari
Assistant costume designer Vassiliki Syrma
Sets, props and costumes realized in the Laboratories of Piccolo Teatro di Milano
Cast:
Konstantinos Avarikiotis
Thanasis Akokkalidis
Giorgos Glastras
Zeta Douka
Stavros Zalmas
Marianna Kavalieratou
Lydia Koniordou
Alexandros Mylonas
Maria Naupliotou
Vicky Papadopoulou
Lena Papaligoura
Akis Sakellariou
Giorgis Tsabourakis
Giorgos Tzavaras
Nikitas Tsakiroglou
Apostolis Totsikas
Kosmas Fountoukis
Piano Thodoris Ekonomou
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03/05/2012 - 30/09/2012
EMST
NATIONAL MUSEUM OF CONTEMPORARY ART
SonicTime speech/sound/silence
From the EMST collection
03/05/2012 - 30/09/2012
Curated By: Anna Kafetsi
Part of a collection project in progress, the exhibition SonicTime, speech/sound/silence brings together fifty five works from the Museum's collection, which focus on language, sound, music and silence as their common matrix.
They are video/sound/multimedia installations, single channel video, sound sculptures, drawings, net artworks, sound cd, sound books and performances of the last four decades, which constitute different and heterogenous acoustic forms of contemporary art, in their literal or/and metaphoric version, of older and younger artists coming from diverse artistic backgrounds....
Participation in the exhibition with:
ICESONGS2
A project by Danae Stratou
in collaboration with Vasilis Kountouris
(2012)
ICESONGS2 comprises a video & sound work which emerged from the site-specific installation ICESONGS created by Danae Stratou and presented at La Verriere, the exhibition space of the Fondation d’ Enterprise Hermes, in Brussels in 2010.
The most powerful element of the project was the astounding soundscape which had generated from sounds coming directly from the Antarctic Ocean emitted by the icebergs as they form on Antarctica's edges, they collide against each other, squeeze out into the open sea, sail away and finally melt. These sounds, captured by water microphones1 that are lying on the seabed of the Antarctic, are now used by researchers for monitoring Antarctica's melting ice shelf. Dr Alexander Gavrilov2 and Dr Jason Gedamke3 were kind enough to 4convert a large number of samples from their recordings, on my behalf, of the shifting icebergs' sounds and to share them with me for the purpose of this project.
The final composition of ICESONGS, kept intact in ICESONGS2, is a 20’ minute long soundscape comprising 7 “sound-waves”. These have been synthesised by transforming and the speed of 7 of the original - specially converted - recordings so that they vary in pitch and timbre and in this way reflect the rich range and diverse qualities of the sounds produced by the travelling, braking, colliding and melting of the icebergs.
These Iceberg’s songs coming from deep within the Antarctic Ocean are like voices coming out of an imagined landscape, at once familiar and alien, so powerful that they compelled me to attempt, in collaboration with sound and multimedia specialist, Vasilis Kountouris, to create a visual imagery that could potentially accompany the soundscape and thus form a new autonomous work. The result of this collaboration is the video/sound work ICESONGS2.
1Directional water microphones lying on the seabed in a defunct US naval base in South Australia. They used to be part of a massive US monitoring network whose aim was to track the paths of Soviet nuclear submarines as they crisscrossed the South Pacific.
2Centre for Marine Science and Technology, Curtin University of Technology
3Marine Mammal Research Program, Australian Antarctic Division
4 by speeding up the original sounds by ten times so that they transmit within the acoustic range of the human ear
Icesongs Squared - Documentation Video from Vital Space Projects on Vimeo.
Danae Stratou: http://www.danaestratou.com
Vital Space: http://www.vitalspace.org:
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13/08/2012
Aegina International Music Festival
Monday August 13
(Aegina island - Sotiros Church Yard, Kapodistrian Orphanage)
Concert: CITY 1 >live
Stella Gadedi (Flute), Yorgos Mouloudakis (guitar)
Sound design - video: studio19st
Multimedia performance for flute, guitar, live surround sound performance
(pre-recorded & processed audio materials) and video projection.
[city 1],
Multimedia music performance for flute, guitar, live surround sound performance
(pre-recorded & processed audio materials) and video projection.
Stella Gadedi (flute) - Yorgos Mouloudakis (guitar).
Sound design, sound synthesis & video by studio19st (multimedia team).
Two celebrated Greek virtuosos -- flutist Stella Gadedi and guitarist Yorgos Mouloudakis -- perform 'all-time classics' in a mood that is close to 'pop', as they pick out the profile of an imaginary city, made up of bits of other towns or cities, neighbourhoods or districts, people, times, moments, and sounds.
Works by Satie, Piazzolla, Stravinsky, Dyens, Ibert, Gossec, Hadjidakis and others, follow the composers' itineraries within their own towns in the manner that snatches of music accompany us within our real or imaginary 'cities'.
About the sound: the live performance of the musicians in combination with the daring sound design achieved by "studio19st" (multimedia team) give the listener a feeling of 'being there'. In between the pieces are the brash intrusions of city 1's urban soundscape: the cries of children playing in the square, cars whizzing by, people's voices heard from a light-well, hawkers in the Varvakios Market, whispering from the flat next door, a train rumbling into Theseion metro station...
[city 1] is available on CD from SIRIUS record company
Stella Gadedi and Yorgos Mouloudakis gained recognition as musicians initially through their work with some of the most notable composers of Greece's contemporary music scene, and then through their own solo recitals and compositions. On this occasion, as a musical offering, they will be performing a select number of excerpts from their second joint recording.
They have appeared for Greece at important international festivals and have worked for several years with pioneering audiovisual technologies in live performances -- in the experimental setting of "studio19st". It was this latter experience that has led them to propose a distinct and immediately recognizable novel approach to established recital formats.
Their records include two joint albums, "City 1" and "Dream for two", and solo work: "Stella Gadedi, solo flute", «When movie theatres were still open-air and would play songs during the intermission », «Gardens of the Night», and «The Book of Memory» featuring Stella Gadedi and "A short report to Manos Hadjidakis", "Yannis Ioannidis -- Chamber Music I", "Jorinde, the Acrobat and the Owl", and "Canciones al Arbor del Olvido" featuring Yorgos Mouloudakis.
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07/07/2012 - 09/07/2012
Sound Design for the Performance :
7-9 July 1912
Peiraios 260, Building D - Athens
ATHENS & EPIDAURUS FESTIVAL 2012
“I am Countess Livia Serpieri. I turned my lover, Sergeant Franz Mahler, into the Austrian army for desertion”.
After I’m dying like a country, a performance that has flown the Athens Festival standard at some of Europe’s most significant cultural events, Michael Marmarinos and Dimitris Dimitriadis return with an “opera without music” inspired by Luchino Visconti’s Senso.
The Countess’s interior monologue on an erotic passion that led to humiliation and a triple betrayal—of homeland, class and lover—is performed with singular presence by a chorus of Greek actresses (with one Italian in among them).
Text Dimirtis Dimitriadis
Direction Michael Marmarinos
Original music Dimitris Kamarotos
Sound design Studio19
Sets – Costume designer Dora Lelouda
Lighting designer Giannis Drakoularakos
Assistant directors Myrto Pervolarak - Elena Mouridi-Hasiotou
Set costume assistant Spyros Pervolarakis
Architectural consultant supervisor Dimitris Zamenopoulos
Sound flow supervisor Kostas Bokos (Studio19)
Translation into italian Spyros Pervolarakis
Production manager Rena Andreadaki
Managing director Rena Andreadaki
Women
Sandra Garuglieri
Nadia Mourouzi
Maria Nafpliotou
Ilektra Nikolouzou
Theodora Tzimou
Jenny Drivala
Ioanna Asimakopoulou
Alexandra Aidini
Marilou Vomvolou
Virginia Katsouna
Katerina Kyvetou
Reggina Mandilari
Dafni Manousou
Evi Blesiou
Eleni Petassi
Olga Spyraki
Maria Stavraka
Dora Stylianesi
Sofia Filonos
Anastasia Chatzara
Piano Irene Tiniakou
The Austrian
Josef Rüttger
Special thanks to Zisis Kotionis and Io Karydi
Assistant costume designer Vassiliki Syrma
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13/05/2012
[K]NOTmusic presents
Humans in Standing-Wave Harmonies
Analog Sound Live Performance with Live Visual Projection of "Water Audio Patterns"
13/5/2012
Dimitris Kamarotos [audio]
Nikos Kyriazopoulos [audio]
Vasilis Kountouris (studio19st) [visuals]
Dimitris Kamarotos & Nikos Kyriazopoulos perform a special concert that took place in Knot Gallery in Athens 05/13/2012. Performing with modular synthesizer systems and electromechanic devices the artists built long duration soundscapes of sine waves, mechanical noise and electronic pulsers. The audience had the choice to move in the place perceiving the sound in different timbre and level.
Along with the sound performance, Vassilis Koundouris (studio19st) manipulated the system’s audio output signal producing video projections of special "water - Chladni" Patterns.
KNOT Gallery
Mihalakopoulou str. 206 & Pyrrou Str.
Athens - Ampelokipoi (Greece)
http://knotarts.blogspot.com/
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19/04/2012 - 19/05/2012
A project by
"Danae Stratou"
"Black Boxes!"
at
20 KOLONAKI SQ (ATHENS)
19/04/2012 - 19/05/2012
It's time to open the black boxes!
100 words
100 numbers
100 screens
100 black boxes
1 message
And the countdown begins the shape and the rhythm of a time bomb…
The visual artist Danae Stratou presents from April 19 until May 19 her new project at Zoumboulakis Galleries. It’s an installation entitled “It’s time to open the Black Boxes!”.
In a period of multiple crises, the projects targets at activating a dialogue which will induce us to react in a collective manner against the immobility that “friezes” us. By opening the “Black Boxes” we symbolically light up the words which reflect what we are in danger of losing and need to rescue or what threatens us today.
Through the exhibition the viewer has the chance to actively participate. With the inducement of the artist Danae Stratou, the audience had the opportunity, via a specially formed blog, to participate in the evolution of the work, by offering a word and expressing symbolically his own manner of thinking and reaction. The participation of the world was great, as it overcame the 1000 word submissions
BLACK BOXES CREDITS
Production: Vital Space Projects
Project Collaborators:
Research & Catalogue Text: Yanis Varoufakis
Catalogue Text: Sozita Goudouna
Video Design: Danae Stratou & Vasilis Kountouris (Studio19st)
Sound Synthesis: Costas Bokos & Vasilis Kountouris (Studio19st)
Sound mixing & mastering: Costas Bokos (Studio19st)
Sound Design: Danae Stratou & Costas Bokos (Studio19st)
Audio & Video Post Production : Studio19st
Aluminum boxes manufacturing: ELVAL S.A. Partheniou SA, Mevaco SA
Research consultants: John Bennett, Maria Papanikolaou
Communication strategy: Vassilis Goulandris, Tribe
Sponsor: ELVAL S.A.
It's Time To Open The Black Boxes! - Exhibition documentation from Vital Space Projects on Vimeo.
A project by Danae Stratou, 2012
The Initiative:
Greece, Europe and indeed the World are experiencing a period of multiple crises – economic, social, political, environmental. IT’S TIME TO OPEN THE BLACK BOXES! Is a participatory art project initiated by artist Danae Stratou. Living in Greece in this time of multiple crises, it is quite easy to fall into a state of fear-induced paralysis. As a reaction to this the artist resolved to act by means of an art project. Her hope was for this artwork to reflect and to ease Athens’ anxious struggle to carry on. Distanced from traditional commercial practices, it aspired to undercut its own costs, to give voice and to assist materially as many as people possible, to help attain a deeper understanding of our collective predicament, to empower a joint response to the paralysis that is causing us to “frieze up”. The project targets at activating a dialogue that will induce us to react in a collective manner. By opening the “Black Boxes” we symbolically bring to light the words which reflect, what we are in danger of losing and need to rescue, or what threatens us today.
Open call | Participatory angle | Touring
The project was originally inaugurated in Athens, Greece in April 2012. Through the use of a Vital Space blog, social media and other means, a wide range of people were invited to contribute to the project by submitting the one word that best expresses A) what frightens or threatens them the most, or B) what they believe is in urgent need of protection. The artist reviewed the nearly 1,000 submissions and chose 100 of them to be included in an installation comprising 100 black boxes.
Danae Stratou now aims at presenting this installation Internationally. The open call cycle will be re-activated each time the project is to travel in a new city for a period of 1-3 months prior to each exhibition. Through the Vital Space blog, a wide range of social media and conventional local media local communities will be invited to participate (by sending a word each). In this way the Black Boxes, when opened in a different city, will reveal local concerns, hopes and fears in a manner which, nevertheless, bind the different cities together. Thus the project will be constantly in flux in ways that reflect the think-global/act-local adage.
Black Boxes_ The digital version from Vital Space Projects on Vimeo.
BLACK BOXES DIGITAL VERSION - VIDEO CREDITS
Video Design: Danae Stratou & Vasilis Kountouris (Studio19st)
Video Editing: Vasilis Kountouris (Studio19st)
Sound Synthesis: Costas Bokos & Vasilis Kountouris (Studio19st)
Sound Design: Danae Stratou & Costas Bokos (Studio19st)
Audio & Video Post Production : Studio19st
Sound mixing & mastering: Costas Bokos (Studio19st)
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